Digtal Intermediate

 

DI (Digital Intermediate) started life as an alternative to the traditional chemical lab, not just because it can be a cleaner, quicker and more flexible alternative to the traditional approach, but because it is a far better fit for the requirements for today’s modern media world. And, as the advantages of a DI workflow approach have become better understood, and as some DI systems have themselves moved beyond the limitations of Colour Grading only tools, DI has grown to become the central approach to many post-production workflows.

 

But, few DI systems truly provide the fully integrated technical and creative tools required to enable the level of interactivity necessary for unrestricted changes at any stage of the DI workflow, guaranteeing the perfect end result every time. Mistika stands-out as being unique in this respect – all the tools, with non of the restrictions.

 

As a result, Mistika has been used on many high-end films, commercials, documentaries, music videos , television programs and Stereo 3D projects across the world. Understanding customers needs has been key to this success, with tool-sets and capabilities developed in partnership with end-users, creating sophisticated tools across the entire DI workflow, with collaborative solutions for any image requirement, from editorial, through to delivery of finished content for multiple format display platforms. This is a large part as to why Mistika’s range of systems offer more than just colour grading – DI is a far more complex workflow that requires far more advanced technical and creative capabilities.

 

 

In short, Mistika is the only range of real-time, fully functional DI systems available – nothing else comes close.