Stereoscopic 3D

 

The growing use of digital cinematography and digital projection has enabled major advances in stereoscopic 3D for films and TV, with far better control over the headache inducing issues that blighted previous attempts at stereoscopic 3D. Digital post-production allows the Stereo 3D image to be controlled to a far greater level than previously possible, through every stage of the workflow, with the result that the final image can be near perfect.

 

However, this is possible only if the Stereo 3D workflow is capable of treating the Stereo images correctly during post-production.

 

With rapid changes in camera technology at all levels, the quality of Stereo 3D source material can vary enormously, which necessitates a post-production tool set that is capable of accurately correcting and adjusting footage, however it has been captured.

 

Mistika Post’s Stereo 3D option makes it possible to deal with any Stereo 3D footage problems to a level far beyond the capabilities of alternative systems. Mistika Post has the inherent power for real-time Stereo 3D technical and creative correction and enhancement, providing instant review of changes across stereo images pairs, without rendering or processing.

 

With Stereo 3D TV broadcasting to the home growing in popularity the need for Stereo 3D tools that can operate within the demanding and time critical broadcast environment has also grown. Very few of the film based Stereo 3D post-production systems are capable of delivering within such a demanding environment – but Mistika Post has proven time and again to be more than capable of meeting the demands place on it, and has become the system of choice for Stereo 3D TV broadcasting environments.

 

Mistika is the only real-time, fully functional Stereo 3D systems available – with a tools-set nothing else comes close to matching.