SGO is set to introduce a new natively integrated workflow concept at this year’s NAB and launch the first phase of products as part of the company’s evolutionary growth which include ‘Mistika VR’ and ‘Mistika Insight’.
SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at InterBEE 2016 in November 2016.
SGO, the high end post production software and systems developer will be showcasing a substantial number of new post-production tools to service the most demanding high end finishing for Virtual Reality (VR), High Dynamic Range (HDR) grading, and 8K post production at IBC 2016. These capabilities will be demonstrated through Mistika v8.7 that will be displayed on Booth 6.A11 at the RAI in Amsterdam from the 9th-13th of September.
“Unwrapped VR images routinely demand high resolutions and the additional GPU memory of the Quadro M6000 will help Mistika users maintain real-time performance, as they finesse their projects with Mistika’s unique VR features.” Miguel Angel Doncel, CEO and Founder of SGO
SGO further enhances performance of its Mistika and Mamba FX post-production products with support of the new NVIDIA Quadro M6000 24GB GPU to handle extremely large, complex files for feature film and broadcast projects.
Japan’s well-established and reputable post facility Tokyo Sound Production (TSP) made the recent forward-thinking move by upgrading to SGO’s Mistika post production system to boost their broadcast projects.
Leading the way, Mistika Ultima provides dependable, efficient and prolific capabilities for broadcasters of content, from HD to 8K 60P. With the Next Generation Television and Broadcasting Promotion Forum having already started the 4K TV Program “Channel 4K” back in 2014, and the multi-channel pay-TV broadcasting SKY Perfect JSAT Corporation commencing its 4K broadcasting service from April 2015, TSP’s Mistika is already playing a vital role in 4K 60P creation. The team are already making full use of the system’s versatility and wide ranging toolsets to service its clients’ immediate demands.
Recent eye-catching footage for a leading Channel 4K program which aired on CS Digital Broadcasting was achieved using Mistika at TSP.
Mistika Operator Shigeyuki Koeda working on the project at TSP says “It is always great to hear positive feedback from our clients about how stable the playback of contents in 4K 60P is with Mistika. After receiving this uncompressed one hour project, I just put the content on the Mistika timeline and made the project play-out. It doesn’t require much time, and with Mistika there is no stress in front of clients.”
In addition, with the Japanese government encouraging 4K and 8K investments in the domestic retail sector in time for the future Olympic Games, TSP is now set to meet its clientèle’s expectations with Mistika’s unprecedented 4K abilities.
Yutaka Hamada, department director at TSP states, “SGO Mistika’s technology is truly impressive. There is virtually nothing Mistika cannot do. It comfortably post produces any project, including 4K and 8K, whether it is for broadcast, cinema or commercials, pretty fast and all in real-time. Its creative features, advanced workflows and resolution-independence have won us over, and it’s taken centre stage here, making us feel secure in the knowledge that we have the world’s most innovative system backing us.” He adds, “As the excitement grows for the 2020 Tokyo Olympic year, we feel prepared and future-ready with Mistika at our side.”
“With higher-resolution formats rapidly gaining a foothold in Japan for production, TV programmes and displays, many post facilities in Japan are looking to SGO’s Mistika to support their current and upcoming projects and provide stability in a fast-paced changing industry. I am delighted that the discerning team at TSP have made this exciting step by putting their trust in SGO technology which is playing a fundamental role in their future strategy.” confirms Geoff Mills, Director of Global Sales and Operations, SGO Group.
Intelligent Broadcasting with Mistika Air Ultra
26 – 28 March 2015 – Booth 4101,5109 – China International Exhibition Centre (CIEC)
SGO China, with authorised reseller partner Beijing Offline Video Tech Co. Ltd will showcase Mistika Air Ultra from 26 – 28 March at Booth 4101, 5109 at the China Content Broadcasting Network Exhibition (CCBN2015) at the CIEC in Beijing. On display will be the latest version of the Mistika post production system with Tangent Element Grading Panels.
Mistika Air – Post for Broadcasters – Creative Freedom to Air
Mistika Air is a specific version of Mistika especially tailored for broadcasters of HD, Ultra HD and beyond. Mistika Air Ultra allows for even greater speed and throughput in a crowded multi-platform environment that caters for the delivery of high resolution programmes. Mistika provides a viable and stress-tested solution which promotes seamless integration and high-end production tools for HD, Ultra HD and 8K productions. Mistika also boasts 4K HFR modes at 59p and 60p speeds for the UHD market, supported through the QuadSDI standard.
With over 1000 exhibitors, CCBN2015 is the largest broadcasting technology expo in the Asia-Pacific region, attracting over 100,000 delegates from across 30 countries. CCBN provides a platform for interaction between Chinese and foreign enterprises in the broadcasting sector. As China’s economy continues to grow, the role of Chinese companies in the global broadcast and media technology market is becoming ever more important.
Register for the show at www.ccbn.tv/en/
For further information, contact Jackeyia Zhang, SGO China’s Sales Manager, MP:+8618601136665
The 23rd China Content Broadcasting Network Exhibition features a combination of exhibition with technical and business conferences. The Keynote Speech Conference (March, 25, 2015) and the CCBN-Broadcasting Development Forum (CCBN-BDF) allow industry leaders to illuminate the latest trends and showcase cutting edge broadcast technologies. CCBN is your access to the Chinese marketplace. Visit them at www.ccbn.tv/en/
About Beijing Offline Video Tech Co.Ltd
Visit them at www.offlinevideo.com
Mistika’s Comprehensive Visual Creation Suite and Precision Panels on Display in Japan
Mistika melted hearts at Creative Post
10 June 2014, Toronto, Canada – Supervising Editor Adrian Saywell at Toronto’s Creative Post Inc. discusses the challenges of grading the recent IMAX documentary Wonders of the Arctic 3D, and the reasons behind selecting Mistika for online, colour correction and titling.
The $4 million visually stunning Wonders of the Arctic 3D natural world epic marks Science North’s fifth IMAX production in conjunction with Lickley and Giant Screen Films based in Chicago and will be distributed in more than 100 theatres around the world. The flawless 42-minute film focuses on the effects of climate change to the Arctic environment and the impact on humans and animals, such as the resilient Inuit peoples and Polar bears that reside there.
The film depicts how it is the toughest place to live on earth and how creatures that live there thrive despite the harshest elements. Historically, more than half of the Arctic Ocean was covered by ice all year round but in the past 50 years, ice cover has been reduced by 70 per cent, and is predicted that within 15 years, there could be a completely ice-free Arctic during some months of the year, according to Lickley. The film provides a voyage to a world many would never visit themselves and plays a key role in educating and informing audiences about this incredibly important topic.
Creative Post started work on the film back in 2010 when primary camera shooting started.
Part of what made it possible to achieve such stunning results is the company’s pipeline. Adrian outlines the steps involved, “The first duties included onset processing and backup of Phantom footage. Once backed up and shipped to Creative Post, the processing of dailies for all digital formats in both Phantom and Red was completed using Mistika. This enabled us to create HD ProRes files with matching names and T/C’s for offline.” He remarks, “Before we purchased Mistika, the Phantoms T/C would not match the QT created by other programs.”
Adrian goes on further to explain the online process in more detail, “Footage was supplied by DKP and Science North at various resolutions ranging from 4K to 8K in both 2D and 3D. Utilizing the open platform that is Mistika, we were able to scale all the various formats to the end result 5616X4096, which was then filmed out to 70MM for IMAX Projection. As it is near impossible to work in 3D at the full 5.6K resolution, the proxy and render options in the Mistika enabled us to scale to 2K in 3D, where all work was completed before applying the corrections back to the raw camera material. This made it fast and easy to work in such a large format. Full online finishing, stereoscopic 3D alignments, colour correction and titling were performed in Mistika as well as final versioning in 5.6K 3D, 4K Scope 3D and 2K Scope 3D. New tools in version 7.2 enabled us to apply display filters such as log to linear LUTs as well as cropping of 1.85 and 1.79 images into the 70MM format without actually applying any FX to the environment.”
Creative Post’s owner and CEO, Ken MacNeil remarked that before they had a Mistika on board, they would not have been able to work on a film of this scope, within the given deadlines. Purchased in 2011, Mistika was chosen for its multi-resolution capability and advanced 3D tools that are required for the 4K+ resolution that Creative Post generally master in. Online Editor Adrian Saywell was also able to use Mistika’s powerful tools to stabilise and fix 3D shots, which included colour matching, and alignment, that he said, without Mistika, would have been deemed unusable.
Senior colourist Jim Fleming was also able to use the powerful colour grading tools to pull the best images out of the footage. The 3D colour grading session was technically straightforward because the left and right images were already exactly colour-matched in the pre-grade processing. This allowed for a film that was breathtaking in its amazing images but also for 3D that was easy to watch, allowing for a more realistic viewing experience.
Other high profile programmes Creative Post have recently worked on include Ice Road Truckers, Bollywood Star, High-Tech Red Necks, Ice Sweat and Tears and many others.
Cameras used in filming Wonders of the Arctic 3D:
IMAX Dual Phantom 4K
Red Epic 5K
35MM 8 perf vista vision 3D IMAX Camera (scanned to 6K)
65MM Aerial IMAX MSM Camera (scanned to 8K)
With ever increasing demand for future-ready post production solutions, SGO reported a highly successful outcome at NAB. Located in the South Hall, the popular Mistika post production systems and Mamba FX compositing software were showcased at SGO’s booth, attracting a lot of visitors, among them content creators, post facilities and widely known broadcasters. SGO’s progressive creativity and efficiency in colour grading and finishing received positive feedback resulting in new relationships, collaborations and sales.
SGO’s forward-looking quantum-leap development leads in giant strides. One of the many breathtaking highlights which amazed colourists in engaging demonstrations included SGO’s new Spatial Isolation Toolset for Mistika 8.2. It provides colourists with a number of methods to isolate individual objects within a scene, so that they can be graded separately, for example based on their depth in the scene or by metadata provided by CGI animation systems. The new features allow both the colour and the directional lighting of CGI objects to be fine-tuned in real time and in context. Find out more and watch the demos at www.sgo.es/2014/04/sgo-discloses-unique-colour-grading-tools/
Also on show was a stylish Precision Grading Panel for SGO’s Mistika made by Digital Vision, delivering an additional option to boost Mistika’s powerful colour grading feature-set even further. It was proven to be a sensation, and within hours of the show opening, an order was placed for two Precision Panels by ONSIGHT for their 4K, 3D, HD Mistika grading and finishing suites.
SGO’s affordable compositor Mamba FX made its first NAB appearance and was a smash-hit with its intuitive node-based graphic interface delivering a complete visual effects suite with unlimited compositing layers and effects, running on Windows, Linux and soon available on Mac. With the recent addition of GenArts Sapphire 7, over 250 new effects and pre-sets are accessible to users. Mamba FX tutorials were launched at the show and are available at www.mambatutorials.com
For Broadcasters, Mistika Air Ultra enables a viable and stress-tested solution with seamless integration of high-end post finishing tools for HD, Ultra HD and 8K productions. Mistika Air Ultra is capable of delivering real time and render-free colour grading and finishing processes, even at 4K 60P. Its diverse and versatile creative toolset is not restricted to 4K and is already able to provide for 8K post production pipelines.
Other exciting new features in Mistika version 8.0 this NAB included an all-new node-based compositing interface, support for Canon’s RMF, Sony’s XAVC, enhanced AAF support, ProRes 4:4:4:4 file formats, a re-branding output render module and Dolby Atmos DCP generation. Mistika’s presence on Canon’s booth played a vital part in exciting presentations demonstrating Canon’s Colour Management ACES process for Digital Motion Imaging. SGO also hosted Stream TV Networks, Inc.’s revolutionary Ultra-D™ glasses-free 3D technology marking the first time their auto-stereoscopic screens have been shown at NAB. Stunning footage of Mistika-related projects including the jaw-dropping Stalingrad 3D film trailer and David Attenborough’s Natural History Museum Alive 3D stunned passers-by.
News following on from NAB is that Mistika is to support Dolby® Vision™ technology. Working in close collaboration with Dolby, the capabilities are available in Mistika from version 8.2, previewed at NAB and due for release shortly after IBC. Mistika has inherently supported HDR workflows, and perfectly placed for its customers to enjoy this exciting advancement.
“NAB creates dynamic access to global markets and it’s a great sphere of energy where we meet interesting new people and provide them with the very latest technological breakthroughs to fully support their creativity.” SGO’s Director of Global Sales and Operations Geoff Mills said.
SGO will be exhibiting at Broadcast Asia 17 – 20 June at Booth 5K6-06 in the Spanish Pavilion.
Follow SGO @SGOMistika for the latest updates and news.
2 May 2014, Madrid, Spain