Cognition Makes Major Investment in Mistika Finishing Technology


Studio purchases six finishing and grading systems as part of its multi-million dollar expansion.

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SGO’s Mamba FX Integration with Boris Graffiti brings Endless Opportunities for Artists


In partnership with Boris FX, SGO confirms integration of the popular titling and motion graphics plug-in, Boris Graffiti, with Mamba FX V2.5 for Windows. Mac and Linux are to follow suit.

Boris FX is a prominent developer of visual effects, titling, video editing, and workflow tools for broadcast, post-production, and film professionals. Boris FX products have grown to serve over a million artists worldwide.

Mamba FX is a high performance, node-based compositing platform which comes with a large range of filters and effects. These can be combined to create an infinite variety of looks and styles. Adding these effects to the very flexible Boris Graffiti, gives creative artists the possibilities to produce limitless styles of text and graphics.

SGO’s CEO Miguel Angel Doncel affirms, “We are delighted to have a solid relationship with Boris FX. I strongly believe that the way to provide our customers with the most innovative technology and workflows is to create solutions in tandem with leading companies. This joint venture is a great example of this.”

“We are very excited to be working in collaboration with SGO”, says Ross Shain, Chief Marketing Officer of Boris FX / Imagineer. “Mamba FX is a powerful visual effects platform, so it makes perfect sense for Boris FX and SGO to work together and integrate Boris Graffiti, our 3D titling and animation engine. Boris FX is well known for quality tiling tools and the Mamba FX community will surely appreciate the Graffiti toolset. The collaboration will bring the capability to design and create advanced 2D/3D motion graphics and title animations directly inside of Mamba FX.”

SGO also announced at IBC that Mamba FX customers will receive a free upgrade to the new version 2.5 of Mamba FX which will also include Graffiti at no cost (offer currently available for Windows only, from October 2015).

SGO Powers Up With New NVIDIA Quadro K5200


SGO accelerates its high-end post production products with the NVIDIA Quadro K5200. This new graphics board provides significantly higher performance and greater data handling capability than the previous generation Quadro, for SGO’s Mamba FX and Mistika products, which are utilised in the world’s biggest film, television and commercial productions.
Quadro_K5200_3qtr (2) Courtesy of NVIDIA (640x571)
“The NVIDIA Quadro K5200 is the perfect partner for SGO’s Mamba FX. With phenomenal performance and 8GB of on-board memory, visual effects compositors can work at even higher resolutions, bit depths and frame rates with ever more complex composites, while maintaining industry-leading throughput,” says SGO’s CEO, Miguel Angel Doncel.

SGO’s Mamba FX is a high performance but very low cost visual effects compositing suite. It costs from just 239 Euros and is available for free trial. It can be downloaded from the SGO shop or from www.MambaTutorials.com, where Mamba FX’s extensive compositing tools are explained in a library of online video tutorials.

“Our new Quadro line-up is at the center of visual computing workflows,” says Greg Estes, VP Enterprise Marketing and GM of Media & Entertainment at NVIDIA. “SGO’s highly optimised programming with NVIDIA’s advanced graphics processing have enabled SGO Mistika and Mamba FX to provide ground-breaking real-time post production environments for 4K, Stereo 3D and high-frame rate productions.”

Credits spanning every type of production across the globe include commercials for Emirates Airlines, television drama for BSkyB and feature films such as Peter Chan’s American Dreams in China, Edge of Tomorrow, Stalingrad, The Hobbit Trilogy, Switch, Walking With Dinosaurs (for BBC Earth), The Amazing Spiderman 2 and many others. Mistika also played a major role in David Attenborough’s Natural History Museum Alive (3D) 4K film which received a BAFTA TV Award this year.
Quadro_K5200_F (2) Courtesy of NVIDIA (640x296)
NVIDIA Quadro K5200 graphics boards will be supported in Mistika’s V8.4 software and Mamba FX’s version 2.0, showcased this month at IBC at the SGO Booth A11, Hall 6, at The RAI in Amsterdam.

SGO dares to be different in new NAB line-up


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Booth #SL9021, 7 – 10 April, NAB 2014, Las Vegas Convention Centre, Nevada



SGO’s new strap line “Beautifully Creative Technology” sums-up the ethos behind the company’s avant-garde performance-leading development drive to provide creative artists with the most empowering facilities available. SGO will exhibit the latest additions to its range of extremely powerful Mistika post production systems and Mamba FX compositing software at the 2014 NAB Show. SGO’s technology will demonstrate how broadcasters and post facilities can transform their companies by accessing new markets and revolutionising creativity and efficiency in colour grading, finishing and compositing with Mistika and Mamba FX.

NAB annoucements
– Mistika post production system will support the stylish Precision Grading Panel, read more
– Mamba FX is now available on Linux and soon on MAC! read more
– Preview of the Mistika V8.2 Spatial Isolation Toolset, read more

Mistika Post – Powerfully Different
Designed to be different, SGO unveils its new Mistika range based on accelerated optimum performance levels, namely Mistika Post, Mistika Optima and Mistika Ultima in version 8.0. Radically crossing the boundaries between grading, compositing and editing for ultimate creative freedom in real time, Mistika seamlessly merges all post disciplines for broadcast and film. All projects, irrespective of size, can be completed on any Mistika system, with the fastest being Mistika Ultima, handling HFR capabilities, 4K and beyond, in real time. New features include a Spatial Isolation Toolset with the ability to allow grading selections or keying mattes to be derived from CGI object meta data. Other new key features in version 8.0 include an all-new node-based compositing interface, support for Canon’s RMF, Sony’s XAVC, enhanced AAF support, ProRes 4:4:4:4 file formats, a re-branding output render module and Dolby Atmos DCP generation. SGO will also showcase Mistika on other booths at NAB, with updated information soon to be made available on the SGO website.

State-of-the-art Mistika Suite, Courtesy of Europa Sound & Vision, Stockholm Sweden, photographer Mattias Segnestam

State-of-the-art Mistika Suite, Courtesy of Europa Sound & Vision, Stockholm Sweden, photographer Mattias Segnestam

Mistika Air – Intelligent Broadcasting
Mistika Air is a specific version of Mistika especially tailored for broadcasters of HD, Ultra HD and beyond. Mistika Air Ultra allows for even greater speed and throughput in a crowded multi-platform environment that caters for the delivery of high resolution programmes, which are swiftly becoming the standard. Mistika provides a viable and stress-tested solution which promotes seamless integration and high-end production tools for HD, Ultra HD and 8K productions. Mistika also boasts 4K HFR modes at 59p and 60p speeds for the UHD market, supported through the QuadSDI standard.

Mamba FX – Evolution Redefined
Mamba FX is SGO’s affordable and very powerful, open, node-based compositor introduced at NAB for the first time since its initial launch at IBC2013. It displays an intuitive node-based graphic interface delivering an integral visual effects suite with unlimited compositing layers and effects. Mamba FX can also be extended with OFX plug-ins or additional options from SGO. These options include DCP creation and access to SGO’s unbeatable stereo correction tools. Mamba FX is available to order online at www.sgo.es/shop including access to tutorials and forum support.

Miguel Angel Doncel, CEO of SGO says “What keeps SGO’s technology at the forefront of cutting-edge innovation is that we are continuously creating radically cool new solutions that transcend traditional film and broadcasting. We are not hesitant to embrace change in new ways in the best interests of the industry that we passionately serve.”

Geoff Mills, SGO’s Director of Global Sales & Operations adds “SGO is enjoying continued growth around the world as more and more people adopt our products. Customers are drawn to agile technology that gears them up for every potential encounter. SGO’s future-ready dependability and foresight enables customers to prepare for any project of any size, at any time, anywhere, right now and in the future.”

SGO appreciates the dedicated support of technology partners ATTO Tech, Bright Technologies, Canon, Dolby, Dot Hill, DVS, HP, NVIDIA and Tangent Devices at the show this year. Look out for further NAB announcements on SGO’s website as the event date draws closer.

Book your Mistika Demo at feelthedifference@sgo.es and register for NAB at www.nabshow.com using Guest Pass Code: LV9255. Feel the difference at the SGO Booth – the SGO team looks forward to welcoming you to enjoy their technology.

ABOUT NAB
NAB Show® is the world’s largest electronic media show covering filmed entertainment and the development, management and delivery of content across all mediums. With more than 93,000 Attendees from 156 countries and 1,550+ Exhibitors, NAB Show is the ultimate marketplace for digital media and entertainment.
Visit them at www.nabshow.com

Press Release Date: 28 February 2014, Madrid, Spain

Vision3 Expands 3D Resources with Mistika at its Heart


Mistika is a 3D Vision at Vision3

“Our reason for purchasing a Mistika system is to improve our ability to supervise the stereo on the Native, VFX and Conversion 3D projects that we work on, particularly studio productions such as “Gravity” which I recently finished supervising for Warner Brothers and which premièred at the Venice Film Festival. The film is an indication of the sort of high-end calibre projects we will be putting Mistika to work on, doing the Stereo 3D format full justice.”
Chris Parks, Vision3’s Founding Partner and Stereo Supervisor

“It is important that Stereo 3D can be handled as efficiently as possible in post, to encourage programme makers to embrace the medium. Mistika is an important tool when it comes to making this a reality.”
Angus Cameron, Vision3’s Founding Partner and Post Stereographer

Soho, London, 21 October 2013 – In a move to further expand their capabilities, Vision3 has invested in a Mistika post production system from SGO to offer clients an advanced 3D post production pipeline for high level cinema productions in London. Vision3 now hosts a state-of-the-art cinema suite with Mistika and their bespoke shot management and workflow system integrated with SGO’s technology. This will enable Vision3 to further develop the creative and narrative set-up that is the hallmark of their approach. Vision3 specialises in stereography within numerous fields of expertise such as studio and independent feature films, high-end natural history documentaries, IMAX, unique special events and commercials.

Chris Parks, Vision3′s Founding Partner and Stereo Supervisor

Chris Parks, Vision3′s Founding Partner and Stereo Supervisor

Chris Parks, Vision3’s Founding Partner and Stereo Supervisor possesses both technical and creative stereoscopic experience spanning more than 20 years, with skills that encompass the full range of 3D expertise including direction, production, specialist film and special visual effects, from storyboarding through to production, post production and delivery. Chris states “Our reason for purchasing a Mistika system is to improve our ability to supervise the stereo on the Native, VFX and Conversion 3D projects that we work on, particularly studio productions such as Gravity which I recently finished supervising for Warner Brothers and which premièred at the Venice Film Festival. The film is an indication of the sort of high-end calibre projects we will be putting Mistika to work on, doing the Stereo 3D format full justice.”

Founding Partner and Post Stereographer Angus Cameron founded Vision3 with Chris Parks in 2008 and has over 20 years of industry experience in VFX supervision, project management, digital pipeline development and creative and technical consultancy.

He says “I have always been impressed with Mistika’s stereo capabilities. Vision3 embracing Mistika makes sense allowing us to better interface with the numerous VFX and DI companies that we work with.”

Angus Cameron, Vision3′s Founding Partner and Post Stereographer

Angus Cameron, Vision3′s Founding Partner and Post Stereographer

Angus expands further with recent Mistika-related project examples “We recently worked on Inside the Mind of Leonardo an IWC Media feature documentary for Sky, as well as the BAFTA award-winning Flying Monsters with David Attenborough a key 3D programme for BSkyB that had to be produced to the highest possible standard. Vision3 are again working with Colossus Productions, supervising the stereo on the upcoming David Attenborough’s Natural History Museum Alive where the Vision3 team will again be working closely with ONSIGHT. The toolset Mistika provides, in particular the Stereo 3D options, makes it the most powerful and interactive tool on the market when it comes to tackling high quality projects. It is important that Stereo 3D can be handled as efficiently as possible in post, to encourage programme makers to embrace the medium. Mistika is an important tool when it comes to making this a reality.”

SGO’s Director of Global Sales and Operations, Geoff Mills confirms “The team at Vision3 demand the very best leading-edge solutions and Mistika is the perfect fit for them. Mistika provides not only a system they can tailor to their specific pipeline and toolset needs, but it also strengthens further the relationship with SGO, required as their business expands into new areas. With their well-respected presence in London, Vision3 set a great example of native and converted Stereo 3D excellence, and we are delighted that they have invested in our award winning technology.”

The landscape of shooting in 3D is rapidly changing and evolving, and Vision3 are leaders of intelligent 3D methodologies and productions. Vision3 acts as the bridge between emerging stereoscopic technology and film and television productions shooting in 3D. Vision3’s vision is that shooting in 3D should be idea-led, embracing the innovative set of narrative tools now available to directors and creative teams. Vision3 plays an integral role in pre-production where the company’s stereographers and producers work closely with productions from the early concept stage, ensuring 3D is used to create original, exciting and fully immersive 3D productions. Vision3’s stereographers and stereo teams have years of on-set practical experience working seamlessly alongside traditional 2D camera teams with a dynamic “tools for the job” philosophy ensuring the project and production schedules are not compromised by technology and that creativity is not stifled in the process. Vision3 holds a firm belief in the value of carrying a stereographers vision from set, into post production ensuring quality of the final product. They also offer bespoke and unbiased advice on suitable equipment, providing efficient and individually designed production workflow.

Other high profile projects Vision3 have worked on include ‘Jack The Giant Slayer‘ (Warner Bros.), ‘‘World War Z’ (Paramount) and ‘John Carter’ (Disney). Directed by Alfonso Cuaron, Warner Bros. production Gravity is due for cinema release in the UK on 8th November 2013. The ambitious, edge-of-your-seat Sci-Fi thriller features Sandra Bullock and George Clooney, with over 80% of audiences choosing to see it in 3D, the highest percentage ever, beating both Avatar and Life of Pi. Vision3’s Chris Parks acted as the film’s Stereo Supervisor overseeing stereo work from Framestore, with additional Post Conversion Sequences at Prime Focus. “Alfonso wanted to ensure 3D remained at the heart of the project from its inception. Throughout the production process we were able to use 3D in new and innovative ways, to take audiences to a place that they have never been before. In this film, we were really able to utilise 3D to change the audience’s emotions and draw them deep into the experience of the lead characters,” states Chris.

Experience the 3rd Dimension

ABOUT VISION 3
Visit them at www.vision3.tv

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