Dailies Package
Dailies are where the day's footage either keeps everyone in sync — or sets the whole edit off on the wrong foot. This template takes camera originals straight off the card, transforms them to Rec.709 for review, embeds the production metadata your team needs to track, and delivers a ProRes master. Drop the files in. Get review-ready dailies out, every time, the same way.
What it needs, what it delivers
No surprises. Know exactly what this workflow needs and what it delivers before you import it.
Inputs
Any media file or folder containing media files
Outputs
ProRes file in Rec.709, with production metadata embedded
Explore the workflow
Put it to work: how to use this template
Configure the Unicolor node with the input color space that matches your camera — ARRI LogC, Sony S-Log3, RED IPP2, or any other supported color science — with Rec.709 as the output.
Set the fields you want written into each clip in the Edit Metadata node — production name, shoot day, scene, camera ID, or anything else your dailies process requires.
Configure the ProRes node with your target profile and output destination.
Once everything is set, drag any media file or folder onto the File Dropper and run the workflow. Each clip is color-transformed, tagged with your production metadata, and rendered to ProRes — ready for dailies review the moment the job completes.
Take it. It's yours.
Download the template file and import it directly into Workflows Creator or use it with Workflows Runner. Adapt it, configure it, and make it fit your exact pipeline. And if you need a hand getting it to work, contact us.